Luc Vitk’s installation Water Vision is a multichannel piece for water, visitors, and six speakers. During the opening of the exhibition, the visitors will become part of the installation performance. They will interpret a number score which will then generate three hours of water music to be played in the installation space on non-performance days. There will be 3 performances with public during the exhibition – see schedule below.
Location: Harvestworks Art and Technology Progam Building 10a, Nolan Park, Governors Island
Open to the public from 11 am to 5 pm Fri Sat and Sun. PLEASE NOTE THAT WE WILL NOT BE OPEN ON FRIDAYS IN OCTOBER.
Date: Opening August 31, 2024 – Closing October 12, 2024.
PERFORMANCE Saturday October 5th at 4 pm and October 12th at 2:45 pm of Water Vision by Luc Vitk
PERFORMANCE SCHEDULE:
Opening Performance is on Saturday August 31st at 2:45 pm. |
Second Performance on Saturday October 5th at 4 pm |
Third Performance on Saturday October 12, 2024 at 2:45 pm. |
Luc Vitk’s participatory electroacoustic installation and performance work, Water Vision, involves people blowing through straws into water at specific points in a pre-composed score. Six microphones collect the water sounds, which are then processed and played back over six surrounding speakers. The piece moves beyond the confines of installation technology and the utilitarian nature of PA to become something more visible, participatory, and living, implying numerous possibilities for the reality of the water resource. Luc has collaborated on this piece with programmer, musician, and biologist William Kurtis Chang.
BIOGRAPHY
Press Quotes
Album review in New York City Jazz Record by Tyran Grillo (June 2021)
“…the experience unfolds fractally: the closer one gets to an intriguing detail, the more one recognizes the supporting patterns that gave it context in the first place.”
Album review in The Wire by Chloe Lula (August 2021)
“Its frequencies move like a Shepard Tone, the contrabass’s rattling strokes falling in tune with the lead harmonic melody before drifting away from it again. The pitch seems to constantly ascend and descend without ever fluctuating from the root note.”
Live concert review in San Francisco Classical Voice by Lucy Caplan (April 2017)
“Luc Vitk’s sound-world might be described as music turned inside out. Through sounds both strange and unremarkable, they put the seams of music-making on full display. You hear the stuff in the nooks and crannies rather than the glossy facade.”
CMQ-2.2021_1kapt..pdf (czechmusicquarterly.com)